What's the payoff for behaving like this?
It was the first time I'd looked at myself with honesty as a singer.
I knew the answer — and it wasn't comfortable.
And it sparked another question:
Could I allow myself to enjoy singing— even if it sometimes felt lousy and sounded bad to me?
It wasn't a "woo woo" moment. It was a flash of simple, logical clarity.
And it connected with a thought my dad shared with me some time earlier.
We were watching a TV documentary together when he said it.
The show was about a tribe of people. They lived off the land without any modern supplies or equipment.
They had a simple way of life.
No supermarkets. No running water. No electricity.
And yet, they were happy.
I remember my dad saying:
You know what? At our happiest we're no happier than they are right now. And they don't have any of the things that we have.
Those words were now electric — and hit me like thunder!
I'd been trying to copy others — my singing idols. The people I wanted to be.
Problem was, I didn't have their voice.
I only had mine!
And here's another thing:
My decision that day led to another discovery:
When I started to sing those songs the only way I could — with my own voice - I finally learned what my voice would do.
And I learned how to align my interpretation of the song with my vocal ability at the time.
It was a revelation.
I didn't pick super-difficult songs outside my ability. And I didn't pick the easy stuff, either.
I picked songs that aligned with my technical ability at the time.
And I sang them the way I could. I no longer tried to perform them like someone else would.
I began making artistic choices that confirmed my vocal abilities.
The first thing I did was join a singing performance class (where I met my wife!... But that's another story 😀)
It was during this time that I started to enjoy singing. And my career pushed way past my expectations.
I've worked with singers in over 20 Broadway Shows including Sutton Foster in "Thoroughly Modern Millie",
Luke Perry in "The Rocky Horror Picture Show", David Hasselhoff in "Jekyll and Hyde," Shonica Gooden in CATS, as well as leads in Tommy, Next to Normal, RENT, Jersey Boys, Les Mis and many more...
Major Movie and TV stars like working with Mike Myers on his voice for "Shrek", Andy Garcia for the movie "Hoodlum", Kerry Washington, Kate Mara and many more... Recording artists, most major record companies and a lot of the big studios.
And even after three decades of teaching the skills of vocal technique, performance, and the singer's mindset to these and thousands more singers (and dozens, if not hundreds of singing teachers around the world), I still remember this huge personal frustration.
Back then, despite all my experience at the time, I had a lot of negative feelings about my own voice.
And at times it was debilitating!
Mike Goodrich
Because after studying with 11 voice teachers I was frustrated, discouraged, and angry – because I couldn't get my own singing where I wanted it.
Yes, back then I'd gone through 11 different teachers.
I had this deep desire to be a singer.
I wanted to sing like the singers I admired able to.
I wanted to express my voice and passion the way they did.
I was totally committed to singing at the time... I still am 😊
But back then, all of my singing friends seemed to do everything I couldn't do!
It was driving me nuts!
And they seem to have endless confidence!
But you don't. And it feels lousy!
As for me, you need to keep this in mind:
When I hit this frustrating low all those years ago, I'd already performed two major roles in musical theater as a professional singer.
That's right, two major roles:
Che in EVITA, and George in Sunday in the Park with George.
But even having done these, I still hit barriers. I knew I needed something.
They were costing me a fortune — and they weren't getting me what I needed!
But one thing was certain: the feelings of constant dejection were starting to stack up.
And this is how I expressed them.
And here's a fact:
You hit these hurdles when you take your singing voice to new or rare places.
You'll know them well — they're glass walls. You don't see them coming.
But they stop your voice from performing and growing.
They often show up just when you need your voice to be flawless. Like before an audition, or a recording, or a live performance.
Or when you're feeling a bit fragile.
These barriers activate the crushing feelings behind those painful admissions I mentioned earlier.
And they always trigger these heavy anchors:
My mix is stronger than ever and I know it's because of your technique and exercises. I'm thrilled to have found you! Thank you!!!".
Sutton Foster - 2 Time Tony Award Winner
-- Former PRIVATE Student
Just know this: You're not alone.
And these feelings are NOT your fault! And like many other singers I've coached, you can release yourself from them, too.
For more than 30 years, my vocal coaching has elevated singers like you in 3 ways:
And it's every singer's inner singing game — their mindset — that's the most important for reaching their full vocal potential.
Why? Because it's every singer's biggest limiting factor.
Technical skills — pitch, phasing, vibrato, and range — they're basic to singing.
But your singing mindset — your inner subconscious — drives your outer singing voice.
I call every singer's inner subconscious their Inner Singer. It's what goes on inside you.
It's your:
They're invisible to others. And they're unconscious to you. But they dictate your outer singing voice.
The good news is you can change them.
Module 5 alone was worth the price of the whole program! -- Lisa Dennett
"This Course Provides Something That Has Been Missing In All Of The Voice Training, Literature and Materials Out There!"
"Completely Rewired My Inner Beliefs Around Singing!"
"My whole voice improved when I added the Inner Singer Program to my practicing!"
"It's been so exciting! In just a few lessons my voice changed. I use our [lesson] tapes as a warm-up before every show."
Christy Tarr - "Tommy," National Tour "Annie," and "Jekyll & Hyde," Broadway
"His style teaches our artists to reach the height of their potential. This not only boosts their confidence, but also saves us money in the studio. I cannot recommend him more highly!"
Randy Phillips - Former Manager, Michael Jackson and Toni Braxton
"If consistency, less effort and an overall healthier voice is what you want, I recommend you run to Michael Goodrich and rediscover the joy of singing. Thanks, Michael!"
Calvin Grant - "Miss Saigon," National Tour – "Rent," Broadway
Los Angeles, CA